Marcelo Coronel was born in Buenos Aires, Argentina, in 1962. As a child he learned to sing simple Argentine folksongs while playing along with a guitar. The styles of urban music later exposed Marcelo to a world of new sounds. He eventually entered the School of Music at the National University of Rosario, where he formalized his musical education before graduating with an advanced degree in Music – Emphasis on Guitar. Paralleling his university course work, Marcelo studied harmony and counterpoint with the composer Dante Grela. As a performer Marcelo has participated in a number of popular and chamber music ensembles.
Sunday January 8, 2017
Settlement Music School
416 Queen Street
Tickets: Marco Sartor
Born in Montevideo, Uruguay, Marco Sartor is a top prize winner in numerous international competitions. He has performed solo and chamber music recitals in three continents to critical and public acclaim and has appeared with orchestras in the US and South America. His debut solo recording for Fleur de Son Classics, “Red,” has received rave reviews and been broadcast on national radio. Marco is also featured on Marc Regnier’s GRAMMY-Nominated album “Radamés Gnattali: Solo & Chamber Works for Guitar” on Dorian Sono Luminus, and the recently released “Tempo do Brasil” on Reference Recordings.
As an active pedagogue, Marco Sartor has given numerous master-classes in universities and conservatories in the USA and abroad. He has designed and implemented successful guitar programs at the Carnegie Mellon Music Preparatory School in Pittsburgh, PA, the Charleston Academy of Music in Charleston, SC, and the “System of Youth and Children Orchestras” in Uruguay. He is currently the college division guitar instructor at the New World School of the Arts in Miami, FL.
Marco has completed the highly-selective Master of Musical Arts program (Doctoral Residency) at Yale University, earning the Friedmann Prize for his thesis. He also received degrees from the College of Charleston and Carnegie Mellon University. His former teachers include Robert Ravera, Mario Payssé and Eduardo Fernández in Uruguay, and Marc Regnier, James Ferla and Benjamin Verdery in the USA.
Presented by the Philadelphia Classical Guitar Society
Chaos Theory is my 2nd studio recording of original pieces. The compositions are purely me living in my world of rhythm and melody. The music was composed between July 2014 and December 2015; each peice written for and on an Ovation classical guitar. The guitar used in the Chaos Theory recording is an Ovation classical cutaway, model 1773AX.
Signals by David Cohen from Chaos Theory
Chaos Theory is six stories. Each story is rooted an individual’s fight for health and security. In the piece that closes the recording, A long Memory of Kindness, my inspiration behind the piece came from a brief period of time with a person that lost the ability of movement from the neck down. Slowly minor movement was visible in one arm. When it was time to move on in the continuum of care the person told me that the goal was to write a letter to say thank you. The person went on to say, “I have a long memory of kindness. When I can, I want to write everyone who has helped me to thank them. People have been so kind.”
A long Memory of Kindness was written to close out Chaos Theory presenting the most fundamental premise; kindness.
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