In the middle of August 2016 I embarked on my first tour of Ireland and the UK. Ireland was spent performing on the bagpipes while touring with the Pipes and Drums of the Jersey Shore Shillelagh’s. The band had the honor of performing at the Rose of Tralee Festival in Tralee, Ireland along with a few other gigs.
We ended in Dublin, from Dublin I went on to Scotland where I studied bagpiping for a few days at the Piping Center in Glasgow then onto Edinburgh for the Military Tattoo and solo guitar recital at St. Giles Cathedral located on the Royal Mile. My musical intro to Edinburgh was a pop up concert at a local coffee house the day before the cathedral gig. After the recital it was straight to the Edinburgh Airport for my flight to London for gigs in Sandwich and London.
The first stop was Sandwich where I was given the opportunity to record at St.Peters Church which dates back to the 13th century. Amazing place how sweet the sound! My gig that brought me to Sandwich was in a pub called Hop and Huffkin’s. I was part of their Tuesday night acoustic sessions. On my day off I was taking a bus to Canterbury where I ran into a couple reading and article about me in the local arts magazine. They were the only others that went to the top of the bus.
My last gig was at The Troubadour on Old Brompton Street in London. Joan Armatrading, Hendrix and Zeppelin all got their start there. Chaos Theory live was met with enthusiasm and many bought the CD. At the Troubadour I opened for a band called ALBA; they are a band to keep an eye on.
Chaos Theory is easy to obtain by clicking on this link: Chaos Theory or this one Chaos Theory (check out the great review on this one). It’s also available on iTunes.
Came across this video and had to share.
Find John on You Tube .
Sunday, May 15, 2016 – 3 PM
Trinity Center for Urban Life, 22nd & Spruce Sts
General: $25; Student/Senior: $15; Member: $10
Chaos Theory is my 2nd studio recording of original pieces. The compositions are purely me living in my world of rhythm and melody. The music was composed between July 2014 and December 2015; each peice written for and on an Ovation classical guitar. The guitar used in the Chaos Theory recording is an Ovation classical cutaway, model 1773AX.
Signals by David Cohen from Chaos Theory
Chaos Theory is six stories. Each story is rooted an individual’s fight for health and security. In the piece that closes the recording, A long Memory of Kindness, my inspiration behind the piece came from a brief period of time with a person that lost the ability of movement from the neck down. Slowly minor movement was visible in one arm. When it was time to move on in the continuum of care the person told me that the goal was to write a letter to say thank you. The person went on to say, “I have a long memory of kindness. When I can, I want to write everyone who has helped me to thank them. People have been so kind.”
A long Memory of Kindness was written to close out Chaos Theory presenting the most fundamental premise; kindness.
Click link for more information
I want to find places in the Philadelphia area that really support classical guitar. If you know of restaurants, coffee shops, bookstores or anyplace that have live classical guitar pass the info on.
I stumbled on this place a few weeks ago:
Bella Tori at the Mansion
Address: 321 South Bellevue Avenue
Langhorne, Pennsylvania 19047
Phone: (215) 702-9600
Friday night’s classical guitarist Robert Schulze plays from 5pm- 9pm. Visit Robert’s website:rtsguitar.com
It’s a great night out; Robert is an excellent guitarist and the food is really really good. Friday night you can BYOB. All the more enticing and well worth any travel time to get to Langhorne.
Presented by the Philadelphia Classical Guitar Society
Tickets available at the door
It’s the day of love.
Spend the time with the instrument we all love.
February 14, 2016
Medford Arts Center
The Philadelphia Chamber Music Society
Sunday October 18, 2015
Philadelphia Museum of Art
Jason Vieaux “makes the single guitar seem like a body of instruments at work, an orchestra of sound” (Philadelphia Inquirer). In five previous PCMS engagements, he has demonstrated stirringly virtuosic playing, uncommon communicative gifts and strikingly imaginative programming. Ranging from Bach to bossa nova, his Sunday afternoon return to the Art Museum traverses five centuries of music from three continents.
Giuliani: Grande Overture
Bach: Suite in E Minor, BWV 996
Albéniz: Capricho Catalan and Torre Bermeja
Sessler: Rhapsody and Afterglow
Henze: Drei Tentos from Kammermusik
Jobim: A Felicidade (Arr.)
Ellington: In A Sentimental Mood
Bustamante: Misionera (w/ P. Metheny intro)