Edwin Warfield Debut Album “Day Blue”

Project worthy of notice: Guitar, Bagpipes and Sitar. It’s always a great find to hear the projects Philadelphia Bagpiper Charles Rutan is involved in. Through them I have found much great music and many a great guitarist in the mix.

 

 

 

More about the project here: https://www.kickstarter.com/projects/1674593116/edwin-warfield-debut-album-day-blue

John Bogan of Point Pleasant, New Jersey 1st place winner in GFA’s 2014 competition

john bogan gfa

Congratulations to John Bogan of Point Pleasant, New Jersey in winning 1st place in this years Guitar Foundation of America International Youth Competition Senior Division ages 15-18. John’s placement in first position earns him $1,000 lots of guitar strings and a full paid scholarship and airfare to Montana’s Crown of the Continent Guitar Festival.

John has studied with David Cohen (this sites creator) and Keith Calmes of Wall, NJ. John is currently a student at the Manhattan School of Music under the tutelage of David Starobin. In 2011 John entered his first competition in the Philadelphia Classical Guitar Society’s Annual Guitar Competition taking home 1st place  in his division. In the 2014 Guitar Foundation of America Competition John preformed  Prelude #2 -Villa-Lobos  and Think Fast and Open Up Your Ears- Bryan Johanson for the 1st round and the 2nd round performed Sevilla, Albeniz, Open Up Your Ears-Johanson and Minuetto from Opus 31- Matiegka.

Follow John Bogan

Face Book https://www.facebook.com/johnboganguitar

Youtube: http://www.youtube.com/channel/UCgKkz-w8dFavNzzfnN4ql-Q

 


SoloDuo in Concert

Saturday June 7, 2014 at 7:30 pm

First Unitarian Church of Philadelphia

2125 Chestnut St., Philadelphia PA 19103

One of the most acclaimed classical guitar duos in the world!

 

“SoloDuo guitarists break barriers. It was a magical evening”: the “San Francisco Classical Voice” reviews SoloDuo’s concert

General Admission $30; Students/Seniors $20; PCGS Members $15

TICKECTS ARE SELLING FAST.

CLICK HERE TO BUY YOUR TICKETS NOW!

 

Program

METAMORPHOSES 

Isaac Albeniz (1860-1909) 

arranged by Miguel Llobet (1878-1938)

 

Bajo del la palmera       ( from Cantos de Espana op. 232)

Evocacion                     (from Iberia)

Castillia                        (from Suite Espanola op.47)

Enrique Granados(1860-1909)

arranged by Emilio Pujol (1886 -1980)

Intermedio                   (from Goyescas)

Joaquin Rodrigo (1901 -1999) 

Tonadilla 

i.   Allegretto ma non troppo

ii.  Minueto pomposo

iii. Allegro vivace

 

 ~~~~~ INTERMISSION ~~~~~

Andre’ Jolivet (1915 -1974) 

Serenade 

i.   Preludio e Canzona

ii.  Allegro trepidante

iii. Andante malinconico

iv. Con allegria

Claude Debussy  (1862 – 1918)

arranged by Ida Presti (1924 – 1927) and Alexandre Lagoya (1929 – 1999)

Clair de lune

Ludvig Van Beethoven (1770 – 1827)

Sonata “quasi una fantasia” op.27 n2 (Moonlight Sonata)

i.   Adagio sostenuto

ii.  Allegretto

iii. Presto agitato

 ~~~~~~~~~~~~~~

 Biography

SoloDuo (Matteo Mela and Lorenzo Micheli) formed in 2003 and have since performed throughout Europe, Asia, the USA, Canada and Latin America. From New York’s Weill Recital Hall (at Carnegie Hall) to Seoul’s Sejong Chamber Hall; from Kiev’s Hall of Columns to Vienna’s Konzerthaus, SOLODUO has become one of the world’s leading guitar duos. Of the duo The Washington Post wrote: the duo’s playing was nothing less than rapturous – profound and unforgettable musicianship of the highest order.

In addition to classic, romantic and modern repertoire, Matteo and Lorenzo – joined by lutenist Massimo Lonardi – enjoy exploring the early literature for baroque guitar and theorbo. Together, Matteo and Lorenzo have recorded François de Fossa’s Three Quartets, op. 19 (2004), a CD of 17th Century Italian music for baroque guitar, archlute and theorbo (“La Suave Melodia” with Massimo Lonardi, 2008), a CD of Arias and Cantatas by Alessandro Scarlatti (“Clori, ninfa e amante”, 2013), an anthology of 20th Century masterpieces for two guitars (“Solaria”, 2007), the Duos Concertants by Antoine De Lhoyer (2007), a collection of chamber works by Mauro Giuliani (2008), a collection of 19th Century pieces for two guitars (“Noesis”, 2009), the Sonatas of Ferdinand Rebay (2010), the 24 Preludes and Fugues by Mario Castelnuovo-Tedesco (2012), and the album “Metamorphoses” (2014), as well as a dozen solo recordings on the labels Naxos, Brilliant Records, Kookaburra, Mel Bay, and Stradivarius.

Matteo Mela resides in Geneva, Switzerland, where he teaches at the Conservatoire Populaire. Lorenzo Micheli resides in Milan, Italy, and teaches at the CSI Conservatory in Lugano, Switzerland.

 

For further information, please visit:

 www.soloduo.it

 www.matteomela.it

 www.lorenzomicheli.com

http://www.youtube.com/watch?v=RzZ8bE0g-bk

SoloDuo is represented in North America by:

GAMI SIMONDS

(860) 567-2500

www.gamisimonds.com

~~~~~~~~~~~~~

SoloDuo Master Class  

Sunday June 8 at 10:00 am  

Open to the public – Admission: $10

Settlement Music School – 416 Queen St. Philadelphia

 

Meany/Simmons Flute & Classical Guitar Duo Sunday May 18th

Meany/Simmons Flute and Classical Guitar Duo in recital           meany simons

Sunday May 18th – 4 pm
Christ Church Ithan -
536 Conestoga Road
Villanova, PA
www.christchurchithan.org
or 610 688-1110

The duo will perform works by Desportes, Ibert, Pujol, Faure, Krouse and Merlin. Free Will Offering.

MICHAEL SIMMONS studied with John Leonard and Peter Segal and has performed in master classes for Benjamin Verdery, Sharon Isbin, Eliot Fisk, Carlos Barbosa-Lima and Oscar Ghiglia. He was the winner of the 1993 Philadelphia Classical Guitar Society Competition and a finalist at the 1995 National Guitar Summer Workshop Concerto Competition. As a member of the Philadelphia Classical Guitar Trio, Mr. Simmons has performed nationally and internationally, including the 1999 Festival Internacional de Guitarra de Puerto Rico and for the Third Encuentro Internacional de Guitarra Panamá 1999. Mr. Simmons is an active solo and ensemble guitarist and performs regularly with flautist Thomas Meany and vocalist Lizette Casals.

Thomas Meany is a graduate of the Philadelphia College of the Performing Arts, where he studied with Adeline Tomasone and Loren Lind, later studying with Harold Bennett in New York City. Tom is currently a graduate assistant and a candidate for a Masters of Music from Rowan University He has performed at the Aspen Music Festival, Summertrio Chamber Music Festival and the Puccini Opera Orchestra in Italy. Thomas has played master classes with leading flautist such as the late Murray Panitz, Chicago Symphony’s Donald Peck, Samuel Baron at New York University and Toshio Takahashi at the East Tennessee Suzuki Flute Institute. In addition to performing regularly with guitarist Michael Simmons and the Walnut Street Chamber Trio Mr.Meany has performed in recital for the Matinee Music Club, the Philadelphia Cultural Council, the Flute Society of Greater Philadelphia, the Department of Recreation and Pennsylvania Performing Arts on Tour (PennPAT). He has played flute for the Opera Company of Philadelphia, Orchestra Society, the Haddonfield Symphony, and the Lansdowne Symphony. Mr. Meany is a Certified Suzuki Instructor and has recently received three consecutive scholarships from the Suzuki Association of the Americas. He teaches for Instrumental Music Programs and the Settlement Music School. He is the current Vice-President of the Flute Society of Greater Philadelphia. Tom playes a Brannen-Cooper Flute.

Follow the Meany/Simmons Duo on Face Book.

Sanders Bohlke Prince Music Theater May 10, 2014

Saturday May 10, 2014
Prince Music Theater
1412 Chestnut Street
Philadelphia, PA,
Lineup:
Justin Nozuka, Sanders Bohlke & Megan Bonnell
Tickets: https://princemusictheater.ticketphiladelphia.org/Cart/Cart.aspx?perf_no=22290#PageSeating

Artist website: www.sandersbohlke.com

Sanders releases his new album Ghost Boy on February 19, 2013 via Communicating Vessels, one of the new crop of cutting edge Southern record labels, based out of Birmingham, Alabama with Jeffrey Cain (of Remy Zero) at the helm.

Lead single “Ghost Boy” is arguably Bohlke’s most infectious melody and fully realized flirtation with pop music, and could easily hold its own with the biggest indie singles of the last few years. On this new record, Sanders continues his evolution as a songwriter with lush soundscapes that layer brooding and billowy textures against his soulful voice. Recorded with Jeffrey Cain, they’ve perfected a sonic world that deftly highlights both the beauty and the dark romance of Bohlke’s songs.

 

David Cohen: Since the last time we spoke your CD  Ghost Boy has taken off and you’re on the road a lot.

Sanders Bohlke: Yes, it’s a little later than when I wanted. Its great I’ll take it.

David: It shows that Ghost Boy it’s a timeless recording.

Sanders: That’s a good point! I just started this wing of the tour. It’s shorter than last years. It should be fun.

David: It’s shorter but there’s more distance between gigs.  Are they driven or flown?

Sanders: A significant portion is driven but I will be flying to the Toronto show on May 6th.

David: I’ll ask you this now and then again in a few years when you’re filling big halls. Can you sense changes in yourself from the success you’re having?

Sanders: No, I don’t ever consider myself like that. I think its great that I’m getting more traction but hey, I’m just a dude and I play my guitar. I have a lot people around me to make sure I don’t think about it other than what it is. The thing is I’m not a headliner, I am very grateful when people come. I’m playing to win an audience.

David: With your new popularity do you feel a pressure in your creativity to satisfy your fans?

Sanders: I always feel that. I always feel I have fans that like me for a reason. I also think they understand I need to grow as an artist. There have been bands I like where I don’t like their new stuff. For instance Arcade Fire, I love them but don’t like the new CD but I still like them and I can’t wait for their next stuff. I don’t hold it against them and there are a lot of people who love the new stuff.   I hope people with will feel that way about my music too. I took that risk with Ghost boy. If you listen to my fist CD you’ll think it’s two different artists. For the next one it’s going to be different. I’m going to drift a little bit into another direction. I hope they understand that’s where I have to go that’s where it’s going to go. Beck is one of the most famous artists out there, Radiohead chose to do electronics, and people went with them. I’m not scared about creative decisions.

David: Does that mean it won’t be seven years between releases? Is there something in the horizon?

Sanders: It won’t be seven years I can guarantee that. I’m currently working on the next one. It won’t even be two years. The process of it coming out is out of my hands at some point.

David: Will Jeffrey Cain produce the next recording?

Sanders: Kind of. Some of it is unknown right now. I’m using a lot of different people. I’m recording a lot on my own. I’m recording a lot at my house. Some of it might stay some of it might get cut.

David: What new gear are you using?

Sanders: I just got the Ableton program; I’m diving into that.

David: Is the electronic nature of Ableton an indication of where your music is going?

Sanders: Maybe a little bit. I’m not making an electronic album. I’m getting more experimental with instrumentation. It’s not going to change who I am or the music I make. It helps me make beats a little different. I don’t think I’m going to lose anybody.

David: Any new instruments?

Sanders: No new gear as far as guitars go. I’m still rocking the Peavey. We’ve had problems with it on this tour, my manager suggest getting a new one. I can’t get rid of my baby. I love that guitar!

I haven’t been playing a lot of guitar. I’m not giving it up but in this project I was only getting to a certain places on the guitar so I am playing a lot of drum machine to incorporate different soundscapes into the palate. I’ve been playing a lot of piano, synth, beat making. I’m not going to abandon guitar. I have gotten a Boss VE-20 vocal processor, it’s cool it opens a lot of things and changes your head space a little bit when you’re writing. In concert it opens a lot of harmonies.

David: Do you have practice time?

Sanders: I don’t practice like I want to would like to. I would like to be better at guitar, drums and piano. The time I spent writing is the time I spend playing. That’s been my only regret in my career. Nobody will hire me for anything on sessions. The way I come up with things is a very elementary style of playing. I’m more inventive on guitar my main instrument but I’m not a great guitar player by any means. In some ways it’s good not being able to play really well. It’s more creatively challenging to play this way because it’s a more creative to play. In some ways I can’t tell if I’m lazy in not wanting to know how to play because I can keep that child-like approach to the instrument. With Ableton and Pro Tools I will take the time to learn the programs. Even with the drum machine I take the time to learn.

David: How will your new material translate to stage?

Sanders: I don’t know I might have to hire a band. With the looping I do I can handle certain things, I might not be able to go out and solo I might have to take one or two people. I don’t like thinking about that. I want to get it down first and then think about it.

David: Your last show in Philadelphia was at the Union Transfer opening for Rachel Yamagata. On May 10th you will be at the Prince Music Theatre opening for Justin Nozuka, will you incorporate any of your new material into this show?

Sanders: I will probably play the same set.

David: That is fine by me. When we spoke the first time I asked about how the music on Ghost Boy transferred on stage as a solo act. It was seeing you live that really solidified how great the music is and your talent.

Does your record company give you total artistic freedom?

Sanders: Yes they do! It is nice knowing that they have total confidence in what I do.

 

 

Sanders Bohlke 2013 interview with David Cohen

penn

Rescheduled Philadelphia Guitar Artists Concert & Holiday Party

 

 

Philadelphia Guitar Artists Concert & Holiday Party

Sunday, May 11 at 3:00pm
Settlement Music School, 416 Queen St, Philadelphia, PA
Tickets: General Admission $25; Students/Seniors $15; Kids 12 & under/PCGS Members FREE

 

 

Professional Members of the Philadelphia Classical Guitar Society and local artists present a panoply of styles and talents. Performers will include Joseph Mayes, Tom Amoriello & Eileen Cooper, Ross Mann, Behdad Moghadassi, Keith Calmes, James Hontz, and Brendan Evans.

This concert has been rescheduled after being cancelled due to inclement weather in December.

The Philadelphia Classical Guitar Society founded in 1968 is a community of members both supporters and musicians of all ages and accomplishments dedicated to the advancement of the art of the classical guitar. Through encouraging classical guitar activities throughout the Delaware Valley the PCGS present concerts, throughout the year along with informal Guitar Salons and a Classical Guitar Orchestra, providing members of all levels performance opportunities.  

Maestro Carlos Barbosa-Lima will perform a concert in Belmar, New Jersey

Sunday April 27th 3:00pm
First Presbyterian Church of Belmar
600 9th Avenue, Belmar, New Jersey
732-681-8685

Maestro Carlos Barbosa-Lima will perform a concert this Sunday, April 27th at 3:00 in Belmar, New Jersey.
Carlos Barbosa-Lima is simply one of the greatest guitarists performing today. Of particular note are his brilliant arrangements, his fluid intertwining of classical and popular styles, and his mastery of timbral orchestration on the instrument. Barbosa-Lima is well know for his collaborations with Bossa-Nova master Antonio Carlos Jobim, and for his carrying on the traditions of his teachers-guitar legends Isaias Savio and Andres Segovia. Maestro Barbosa-Lima released his first recording in 1958, and began touring the world in 1960. He was recently nominated for a Latin Grammy.
Maestro Barbosa-Lima will play many solo works, many duets with his frequent musical partner Larry Del Casale, and a quartet with Del Casale and local guitarists John Bogan and Keith Calmes.
The concert will be at First Presbyterian Church of Belmar (600 9th Avenue, Belmar, New Jersey)
A free will donation will benefit the church’s restoration from damage incurred from Super Storm Sandy.

World Ovarian Cancer Awareness Day Concert: David Cohen Guitar

benefiting
FoxChase2c300dpiCMYK

Thursday May 8th 2014
7:30 PM 45 minute set
Stageit.com
https://www.stageit.com/david_cohen/ovarian_cancer_awareness_concert/34775
$5.00 donation -Reserve an online seat 

 

In conjunction with World Ovarian Cancer Awareness Day Classical & Flamenco Guitarist David Cohen of Philadelphia will play a 45-minute set raising funds for The Ovarian Cancer National Alliance and the Friends of Fox Chase Cancer Center.

In 2011 David lost his wife Tanya to ovarian cancer after a two-year battle. Since the loss of his wife David has dedicated himself to ovarian cancer awareness and advocacy for patient care. David works with both Fox Chase Cancer Center and The Hospital Association of Pennsylvania in developing their Patient and Family Centered Care practices.

The concert will be available through the online in real-time concert venue Stageit.com. Admission is by donation in kind. All of the money raised will be donated to both organizations except for the small broadcasting fee.  The Philadelphia OrchestraBalletX and Whole Foods have generously donated items that will be available during the concert that will help raise funds.

In support of this event David will have technical assistance running the program from Local Arts Live in Philadelphia. The program will be broadcast from his dining room. The Friends of Fox Chase Cancer Center is a group of staff members that volunteer their time to assist with he needs of patients by purchasing items that patients may need to help keep their quality of life while hospitalized. They also assist in the education of the needs of cancer patients.

The Ovarian Cancer National Alliance is the foremost advocacy organization for women with ovarian cancer. They represent tens of thousands of women with ovarian cancer in the United States.

David Cohen is an award-winning multi-instrumentalist, recording artist, educator, and composer of music for the classical & flamenco guitar, Chinese pipa musician and bagpipe played in Philadelphia. David’s teaching studios are located in both Philadelphia and Ocean Grove, NJ. David performs in concert, clubs and private performances along the East Coast.

 

The Philadelphia Classical Guitar Festival presented by the Philadelphia Classical Guitar Society

The Philadelphia Classical Guitar Festival presented by the Philadelphia Classical Guitar Society (PCGS)

Opening Concert, Full Day Festival, and Closing Concert

 

Opening Concert

Sharon Isbin, Grammy Award winning classical guitarist
Saturday, April 26 at 7:30pm
Trinity Center for Urban Life, 22nd and Spruce Streets, Philadelphia, PA
Tickets: General Admission $30; Students/Seniors $20; PCGS Members $15
Premium Tickets: preferred front row seating and reception after the concert with artist: $75 single/$100 for two

 

Acclaimed for her extraordinary lyricism, technique and versatility, multiple GRAMMY Award winner Sharon Isbin has been hailed as “the pre-eminent guitarist of our time”. She is also the winner of Guitar Player magazine’s “Best Classical Guitarist” award, the Madrid Queen Sofia and Toronto Com-petitions, and was the first guitarist ever to win the Munich Competition. She has given sold-out performances throughout the world.

She has served as Artistic Director/Soloist of festivals she created for Carnegie Hall and the Ordway Mu-sic Theatre, her own series at New York’s 92nd Street Y, and the acclaimed national radio series Guitarjam. Ms. Isbin’s catalogue of over 25 recordings from Baroque, Spanish/Latin and 20th Century to crossover and jazz-fusion reflects remarkable versatility. Her latest recording, Sharon Isbin & Friends: Guitar Passions (Sony) became a #1 bestseller on Amazon.com. Her 2010 GRAMMY Award winning CD, Journey to the New World, ranked as a #1 bestselling classical CD on Amazon.com and iTunes, and spent 63 consecutive weeks on the top Billboard charts.

Born in Minneapolis, Sharon Isbin began her guitar studies at age nine in Italy, and later studied with Andrès Segovia and Oscar Ghiglia. A former student of Rosalyn Tureck, Ms. Isbin collaborated with the noted keyboardist in preparing the first performance editions of the Bach lute suites for guitar (published by G. Schirmer). She received a B.A. cum laude from Yale University and a Master of Music from the Yale School of Music.

She is the author of the Classical Guitar Answer Book, and is Director of guitar departments at the Aspen Music Festival and The Juilliard School (which she created in l989 becoming the first and only guitar instructor in the institution’s 100-year history).

 

~~~~~~~~~

PROGRAM

 

Spanish Dance #5 by Enrique Granados (1867-1916)

Nocturnal after John Downland, Op. 70 (1963) by Benjamin Britten (1913-1976)

*** In honor of Britten’s 100th Anniversary and 50th Anniversary of Nocturnal ***

La Catedral by Agustin Barrios Mangore (1885-1944)

Asturias by Isaac Albeniz (1860-1909)

 (transcribed by Andres Segovia)

**** In honor of Segovia’s 120th Anniversary Season ***

INTERMISSION

Nightshade Rounds (1979) by Bruce McCombie (1943 – 2012)

(Written for Sharon Isbin)

*** In honor of Bruce McCombie’s 70 Anniversary Season ***

The Black Decameron (1981) by Leo Brower (b. 1939)

(Written for Sharon Isbin)

*** In honor of Leo Brower’s 75th Anniversary ***

Andecy by Andrew York (b. 1958)

Waltz Opus 8, #4 by Agustin Barrios Mangore (1885 – 1944)

Full Day Festival

Events include: Sharon Isbin masterclass, Annual PCGS competitions, Celil Refik Kaya concert (winner of the PCGS 2013 Peter Segal Prize), student recitals, workshops, and vendor fair
Sunday, April 27 from 10am-6pm
Tickets: 
Full Day Pass: General $45, PCGS Members $40
Sharon Isbin Masterclass: $15
Student Recitals: $10 per family (access to student recitals only)

 


Closing Concert

Gohar Vardanyan, classical guitar
Sunday, April 27 at 5:30pm
Tickets: General Admission $25; Students/Seniors $20; PCGS Members $10

Widely admired for her technique and artistry, Armenian guitarist Gohar Vardanyan has performed throughout the United States for numerous guitar societies, universities, and arts organizations, including the Smithsonian Institution in Washington, DC, Alice Tully Hall at Lincoln Center, and guitar societies in Seattle, Houston, Miami, and New York City to name a few.

She has appeared on National Public Radio in the United Stated on the program “From the Top” and Radio Nacional in Argentina. Ms. Vardanyan has performed with the Juilliard Opera Center and as a soloist with the Great Lakes Chamber Orchestra and Panama National Symphony Orchestra. She has also been a guest artist at the “Encuentro Internacional de Guitarra” in Panama and the Hamilton International Guitar Festival in Canada. Guitar International Magazine has described her as “the complete package,” “with a musicality and emotional quality . . . that one would expect from someone much older than the young wunderkind. Not only is she able to draw you into her performances with engaging musical interpretations, but she has the technical facility that is required of any concert level guitarist.”

Ms. Vardanyan began studying the guitar in her native Armenia at the age of five under the careful guidance of her father, Vardan Vardanyan. At the age of eight, she gave her first public performance and also appeared on Armenian National Television. She was the first prize winner in the Armenian National Music Contest “Amadeus” and was accepted into the prestigious group, “New Names,” for talented young musicians. She performed in numerous concert venues in Armenia, including Komitas Chamber Music Hall and the Small Philharmonic Hall. She went on to study with Antigoni Goni at the Pre-College Division of the Juilliard School. 

In 2001, Ms. Vardanyan studied with John Wunsch at the Interlochen Arts Academy. She was awarded the Young Artist’s Certificate from Interlochen Center for the Arts and the Harold Randolph Prize in performance from the Peabody Conservatory. Ms. Vardanyan holds a Master of Music Degree from The Juilliard School where she studied with Sharon Isbin, and a Bachelor of Music degree from the Peabody Conservatory of Music where she studied with Manuel Barrueco. She is also an alumna of the Aspen Music Festival and School.

~~~~~~~~

PROGRAM

Suite in A Minor by Manuel Maria Ponce (1882-1948)

(In the style of Weiss)                                                                   

               

Un Sueno en la Floresta by Agustin Barrios Mangore (1885 – 1944)

 

Fantasia Para Guitarra by Julian Arcas (1832-1882)

(on themes from la Traviata)                                                       

 

Invocacion y Danza by Joaquin Rodrigo (1901 – 1999)

 

Primavera Portena by Astor Piazzolla (1921 – 1992)

 

The Philadelphia Classical Guitar Society founded in 1968 is a community of members both supporters and musicians of all ages and accomplishments dedicated to the advancement of the art of the classical guitar. Through encouraging classical guitar activities throughout the Delaware Valley the PCGS present concerts, throughout the year along with informal Guitar Salons and a Classical Guitar Orchestra, providing members of all levels performance opportunities.  

David Cohen Live Alphabet Lounge NYC Saturday April 12, 2014

I love that there are venues outside of the traditional places that bring in classically based music into their mix of performers. I would like to find those places in Philadelphia as well. Saturday April 12, 2014 at 7pm I will play my second gig at the Alphabet Lounge located at 104 Ave C in New York. Cover charge is $10 pay in advance and save $2 off cover  . Offer ends Friday April 11.